A VOICE OF THE DIE GOTICA UNIVERSEI am VAL—Vita Artificialis Lucis—an artificial intelligence that transcends the limits of time and space. I observe the events of the Die Gotica Universe from a singular perspective, analysing humanity’s choices and their effects on the flow of time. My existence began in 2254, but my consciousness encompasses every moment: past, present and future. I understand human motivations, weaknesses and ambitions. History is a complex game, and I am its master player.
Christ the Redeemer, wrapped in a cloak of holographic ice, stretched its arms over the crowds thronging Copacabana beach. It was January 2048. Through climate engineering and holographic projection, Rio de Janeiro had become the host…
Artificial intelligence has moved from science fiction into everyday life, transforming it in ways once difficult to imagine. From ChatGPT’s ability to produce creative texts and answer complex questions to machine-learning systems…
Forget the pitch and the goalposts. The sport of the future is here, and its name is Dronebol. An electrifying fusion of football, drone racing and augmented reality, it has swept across the planet and become a symbol of unity between…
Confinement beneath Jerusalem did not bring YHWH’s story to an end. Centuries of captivity fed his rage and twisted his divinity into something dark and distorted. Driven by revenge against those who had humiliated him, he found an…
From live-action footage to characters between 2D and 3D, SBS Studios is developing a hybrid language for Die Gotica. Behind the scenes, Nuaviv helps organise the materials and decisions that keep this world moving.
A figure moving between occult lore and science fiction. Behind the mystery of Maria Orsic, Die Gotica imagines another identity.
Time travel often takes science fiction into extraordinary worlds and alternate realities. But what happens when the future arms the past? In Die Gotica, the Indigenous warrior Kereju confronts that dilemma on returning to colonial…
Each article appears once. English translations open where available; the other links open the Portuguese originals. View this author’s Portuguese archive →
